심리학의 원리/심리학의 원리two
심리학의 원리/심리학의 원리two
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What almost certainly stays legitimate, however, is that most men Have got a less auditory and a more articulatory verbal creativity than These are apt to pay attention to. The experiment proves how dependent our verbal creativity is on real inner thoughts in lips, tongue, throat, larynx, and so on. The commonly-gained idea is that it is merely a milder degree of the same method which took place when the issue now imagined was sensibly perceived. Trust me, who For lots of a thousand year Precisely the same rough meat have chewed and analyzed, That within the cradle for the bier No gentleman The traditional leaven has digested! In favor with the sensationalistic or nativistic view of 1 this kind of case, begin to see the vital paper by Von Kries, Archiv f. After we occur to review hallucinations from the chapter on Outer Perception, we shall see that this is in no way a thing of scarce incidence. A man blind of his Visible brain-centres can no more see darkness out of your portions of his retina which are linked With all the Mind-lesion than he can see it out in the pores and skin of his back again.
The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. It would seem that in such a case the neural process corresponding to the imagination must be the entire tract concerned in the actual sensation, even down as far as the retina. Life somewhat better might content him, But for the gleam of heavenly light which Thou hast lent him: He calls it Reason--thence his power's increased, To be far beastlier than any beast. So far as I know there is only one other published report of a similar experience. Enter not so stall-fed quite, Like elephant-calves about one! A few monographs by competent observers, like Stricker, about their own peculiarities, would give much more valuable information about the diversities which prevail. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sensation and another with mere ideation or imagination. To most people the image is at first 'thick,' as the sound of the word would be if they tried to pronounce it with the lips parted. So of a baby crying in a distant part of the house, we are uncertain whether we still hear it, or only imagine the sound.
A great way of bringing The issue to consciousness is proposed by Stricker: Partly open your mouth and afterwards imagine any term with labials or dentals in it, like 'bubble, 'toddle.' Is your image below these problems unique? The movements of articulate speech Perform a predominant portion in his mental existence. I'll play the comedy with artwork. The enigmatic stories on the result of magnets and metals, even when they be thanks, as lots of contend, to unintentional suggestion within the operator's component, certainly require hyperæsthetic perception, with the operator seeks at the same time as you possibly can to hide the moment if the magnet is brought into Enjoy, and but the topic not just finds it out that minute in a method difficult to understand, but may perhaps build outcomes which (in the very first instance unquestionably) the operator did not anticipate finding. The boy participating in 'I spy,' the criminal skulking from his pursuers, the superstitious individual hurrying from the woods or earlier the churchyard at midnight, The person shed inside the woods, the Woman who tremulously has designed an night appointment along with her swain, all are issue to illusions of sight and seem which make their hearts conquer till They can be dispelled.
THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION? This is inexplicable if the imagination be simply a weaker excitement of the sensational process. The truth seems to be that the cases where peripheral sense-organs are directly excited in consequence of imagination are exceptional rarities, if they exist at all. In persons whose auditory imagination is weak, the articulatory image seems to constitute the whole material for verbal thought. What you have no idea of you cannot miss; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor imagination, would probably bear less fruit than Galton's inquiry into visual images. Now we know that currents usually flow one way in the nervous system; and for the peripheral sense-organs to be excited in these cases, the current would have to flow backward. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness.